Tag by Martin Kohlstedt, released 10 May 1. ANT 2. SEN 3. OLV 4. HAR 5. FLI 6. AUH 7. ENT 8. BRU 9. OMB ardanyan.de Inklusive kostenloser MP3-Version dieses Albums. AutoRip steht nur bei Musik- CDs und Vinyl-Schallplatten zur Verfügung, die von Amazon EU S.à.r.l. verkauft. Martin Kohlstedt's third record and opus “Strom” is a stream of ruthless . “Tag” is the German equivalent for day and Martin Kohlstedts first personal sanctuary. View credits, reviews, tracks and shop for the Vinyl release of Tag on Discogs. «Tag» is the German equivalent for day and Martin Kohlstedts first personal sanctuary. The composer is rigorously working on himself and pulls his listeners into the undertow. It just d. Weimar. 29 Tracks. Followers. Stream Tracks and Playlists from Martin Kohlstedt on your desktop or mobile Tag Remixes Album ·
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|Martin kohlstedt tag s||Tag by Martin Kohlstedt. On Bandcamp Radio. Last December I had the honour to play in the sold out Elbphilharmonie in Hamburg. I played a concert at Moritzhof in Magdeburg DE on the 12th of May — if you were there it would mean a lot to me if you would share your impressions and thoughts and maybe even some pictures with me! Some of their reworks seem like a sensitive commentary on the original, others are completely different ways of looking at the martin kohlstedt tag s material.|
Amid the flow of the nine pieces the composer himself slowly dissipates and enables the experience of music in its most primal dynamic. One witnesses the transformation of closeness and intimacy into vastness and force and that there is beauty to be found in everything — especially in the ephemeral. Instead martin kohlstedt tag s could get the feeling that Martin Kohlstedt, with this record, erected a monument in honor of intuition itself.
Now almost a year has passed since the release of his last solo-piano album. Some of their reworks seem like a sensitive commentary on the original, others are completely different ways of looking at the source material.
And some have become the frame for joint projects, at eye level and dedicated to something new. Nacht Reworks by Martin Kohlstedt. These reduced piano pieces speak with a kind of suppressed restlessness while keeping enough distance from recklessness.
Within them, one can find Kohlstedt rigorously working on himself; repetition and rhythmic transformations develop an inward-pointing momentum. Subconsciously one would like to believe in this, latch oneself onto the emerging structure — even as the piece is being constructed, stroke for stroke.
Nacht martin kohlstedt tag s Martin Kohlstedt. Not only was there the will to take from his play, but also the will to give back, by adding something to it. First samples and remixes were handed in, without even being asked for. Experiencing so much response, Kohlstedt found sense in taking the album to the next level, and started to actively search for people to work with.
His idea was not to create martin kohlstedt tag s completely new, but to add some new features, some unknown aspects. The perspective changed, and with this changing the songs got a new, different strength and power. The kindness one can find in the originals is picked up in the remixes. The electronic adaptions take extraordinarily much material of Kohlstedts compositions. They stroke the tune more than they touch them and you feel the respect for Kohlstedts work, martin kohlstedt tag s you listen to the electronic beats.
Tag Remixes by Martin Kohlstedt. Every single piano piece was inspired by meaningful, decisive and fortunate events in his life, which he was not able to mantel and thus unfolded in music.
Daily routine tends to conceal reality, so that we remain capable of acting, which in turn promotes our music to be analytically. The day resembles a movie traversed by unreflected emotions and reactions, most of the time. Oddly, only the night is able to reveal the complexities of thought that try to haunt us every day. The shell of every person martin kohlstedt tag s in a different way, in Martins case with music. Tag by Martin Kohlstedt. Last December I had the honour to play in the sold out Elbphilharmonie in Hamburg.
I will keep the feeling of this wonderful, boundless, almost absurd day forever and I will probably never be able to explain what kind of energy was actually released in this giant reactor. The music reacts with space and audience — introverted, improvised and concentrated. All martin kohlstedt tag s people and the massive room have made it possible to turn my own world around and created a considerable arena for martin kohlstedt tag s fight down u1008 HAR and NAO.
Many, many thanks for that! Thanks to everyone involved. The second chapter is out now! My fellow Patrick Richter did it again and released the next episode of his documentary about my approach to making music. Thanks for these touching and unrestrained pictures. On the 24th of January the first rehearsals with riesci a innamorarmi headed choir of the Gewandhaus Leipzig will take place and the top secret doings with Gregor Meyer of the last months that roamed around in the dark caverns surrounding my album release will come to light one by one — and ultimately climax in the premiere coming summer:.
Nobody knows how my freely improvised and intuitive pieces will collide with the minutely composed classical scores. Maybe this uncertainty is the reason martin kohlstedt tag s most of the tickets are already gone — so do not wait for too long! In any case you can follow this project on twoplaytoplay. I, for my part, am already ecstatic! Pancras Old Church. Intuitively Martin Kohlstedt feels his way through this body of wood, felt hammers and steel strings.
An attempt to create something close and personal — beyond sophisticated classics or artificial pathos. At times he might even lose his self-control and get carried away. Particularly in a concert setting, one might take note of this kind of aggressive straightforwardness, perhaps making him seem vulnerable. If you were standing off to the side, you could even find it cheesy. Design by www.
Peter RunkewitzJ. Responsible owner: LC Steuernummer: DE Martin Kohlstedt. Test finished in 0. Your speed is On the 24th of January the first rehearsals with the headed choir of the Gewandhaus Leipzig will take place and the top secret doings with Gregor Meyer of the last months that roamed around in the dark caverns surrounding my album release will come to light one by one — and ultimately climax in the premiere coming summer: Live presented by.