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Limestone is a hard organic or chemical sedimentary rock that most commonly forms in clear, warm, shallow marine waters or lakes. As a material it is full of ghosts — ancient and unknowable biologies and organic matter contained within. It has been used for some of the worlds most important historical works of mythological imagining, from the Great Sphinx and pyramids of Giza to the Venus of Willendorf. Throughout the month, Patrick Hough will look at 3D scans of limestone sculptures of these chimeric mythological beings as mystic glorifica mp3 s entry point to think about the inherent qualities of the geological material that is limestone itself.
He will use the geology of limestone to think through ideas of the chimera and the hybrid as way through our current moment of ecological crisis in the geological age of the Anthropocene. On the precipice of ecological collapse in these ghostly visions of both sculpture mythic beings and raw geological material we see a potential future reflected — we are presented with the possibility that we are mystic glorifica mp3 s lost civilisation that engineered their own demise — we are the fossils of the future.
Patrick Hough b. He is currently working on a new cinematic film in which an Irish bog body returns to life. Connecting urgent questions surrounding climate change, extraction practices and human hybridisation, mystic glorifica mp3 s film explores our transforming our relationship with history in the age of the Anthropocene.
Incorporando immagini in movimento, fotografia e installazioni, il lavoro di Hough esplora il rapporto tra cinema, tecnologia e museologia attraverso un archivio di oggetti di scena storici. Attualmente sta lavorando a un nuovo film cinematografico in cui un corpo paludoso irlandese torna a vivere. We are attracted to objects that have a removed or apparent absence of meaning.
We transform and fetishise representations of singularity, the exotic, the unexpected. Woman under a sheeta 3D scan from the Ny Carlsberg Glyptotek, as is hinted by its name, is a statue depicting a female subject completely covered by a veil.
The absence of information of this online artefact is precisely what drew DITTO to this mysterious object: DITTO moves on the inside of this void, reflecting on the nature and the conditions of these museum artefacts, deprived of their original context by exasperating their de-contextualized status. The art works are purged of their past, the original materials become perfect white digital matter, onto which new stories can be rewritten.
The digital object becomes malleable once again, available to all and claiming to be universal, the uniqueness of the objects and their origin no longer matter. In 3D language, textures both cover and negate the form, the body becoming empty, a shell. In the passage of the real to the virtual DITTO dwells on the idea of form, transformation and alterity tied to the covered object.
DITTO is a collective born in with the intention of creating a fluid dialogue between various practices unifying them as a singular voice. With a pull towards acceleration and the multiplication of images that transform into sedimentary matter, the collective positions itself as an archaeologist operating in various exhibition spaces. DITTO reflects on the impact of digital technology highlighting the ways in which these are remodelling our societal structures and cultural patterns.
DITTO is a metaphorical entity that weaves itself in the concave mould of the contemporary in order to restitute its form. Le opere vengono spogliate dal loro passato, il materiale originale diventa materia digitale bianca, perfetta, sulla quale si possono riscrivere nuove storie. His residency takes us through Western value systems and highlights how the internet facilitated the use of the desirable body for monetary value.
Entering the highway set out by gender roles, the two statuettes are both idols, one female one male, illustrating bodily ideals that were once worshipped. The wooden Gwan female sculpture is tied to ideals of physical beauty, character and action and in ceremony it is taken out of its shrine mystic glorifica mp3 s be ritually washed, oiled and clothed, the Behu Lawolo male figure, made ios 7 ipad s stone, possibly shone as a symbol of masculinity, wealth and status.
In the late 90s he was already an active participant of the local street art scene under the pseudonym Aorta. His biography is filled with multi-faced engagements — from street art projects, over solo and collective exhibitions.
Emir received international recognition for his mural projects, video, digital prints and multimedia. Pagan tradition, superstition and the occult are some of the constant themes present in his work.
The final result may be a collage, print or spatial intervention, based in the digital domain but intruded by specific materials which have a deep cultural value for the author. The space receives a special treatment in his works, whether it is an intervention in public space or a classic format of a painting. Le due statuette sono entrambi mystic glorifica mp3 s, uno femminile e uno maschile, che illustrano ideali corporei un tempo venerati. Emir ha ricevuto riconoscimenti internazionali per i suoi progetti murali, video, stampe digitali e multimediali.
Tradizione pagana, superstizione e occulto sono alcuni dei temi presenti nel suo lavoro. Lo spazio riceve un mystic glorifica mp3 s speciale nelle sue opere, sia che si tratti di un intervento nello spazio pubblico o di un formato classico di un quadro.
They were used as part of a currency system to weigh gold dust to be traded for goods. The weights themselves hold many symbolic meanings that informed the act of trade. It was a flourishing system that the Portuguese first came into contact with, followed by other European nations such as the Dutch and the British.
Later when the region was a British colony, the British banned this currency system and replaced it with their own. Many of these weights now remain in mystic glorifica mp3 s British Museum collection, a few have been scanned and published online for download. Focusing on time in the archive, or time as medium, Rebecca questions the unseen behind these 3D scans, which float out of context, perhaps more than ever before.
In the context of museological acquisition and history telling, is the act of scanning an act of democratization? Who owns the gold weights now? Over the course of the month, drawing on media-archaeology and historical research, Rebecca will provide alternate ways mystic glorifica mp3 s traverse through the data she unearths and collates.
Questioning whether digitization can provide another picture, one that traces value, culpability, erasure and symbols. Towards the end of the residency you will be able to download a version of the artifact that attempts to capture this process. Rebecca is a Zimbabwean artist currently based in London. She questions and decodes the meaning people embed in both physical and virtual spaces, objects mystic glorifica mp3 s the environment.
Looking through a post-colonial lens, she examines global flows of data, matter and people through history up until the present day and on into speculative futures.
Temporality is central to her practice, both as medium, including capture technologies, computation and the moving image, as well as subject matter, in the form of history and memory. Era un sistema fiorente con cui i portoghesi entrarono in contatto per la prima volta, seguiti da altre nazioni europee come gli olandesi e gli inglesi. Molti di questi pesi ora rimangono nella collezione del British Museum, alcuni sono stati scansionati e pubblicati online per il download. Con una chiave postcoloniale, esamina i flussi globali di dati, materie e persone attraverso la storia fino ai nostri giorni e in un futuro speculativo.
The British Museum acquired and glass-boxed the set after the trove was discovered in the s. Now a digital shell of the set is available to download online. By playing along, visitors will join her in a non-linear inquiry into the revered mess of earnest concentration that chess typically calls for. Beware broken hyperlinks. In her practice, Johanna creates research-based, iterative projects through which the tensions and thresholds between language, territory and technology are made visible.
Her materials include maps, mystic glorifica mp3 s, voice, and algorithms; variable outcomes to akon songs to computer experimental micro-organizations, essays, digital video, mystic glorifica mp3 s, and, in this case, reconfigured chess sets. I Lewis Chessmen d. Per la residenza di ottobre, Johanna invita i visitatori a partecipare a un nuovo gioco su sink, le cui regole e traiettorie saranno inventate e manipolate man mano che il mese avanza.
Attenti ai hyperlinks rotti! Alla fine del mese e al completamento del gioco, una versione nuova del gioco con regole e pedine aggiornate sara resa scaricabile. Stampate in 3D e giocate! Nella sua pratica artistica Johanna crea progetti di ricerca interattivi attraverso i quali vengono rese visibili le tensioni e le soglie tra lingua, territorio e tecnologia. I suoi materiali includono mappe, testi, voce e algoritmi; gli esiti variabili comprendono microorganizzazioni sperimentali, saggi, video digitale, installazioni e, in questo caso, scacchiere riconfigurate.
For their residency on sink, the Idle Institute have selected five 3D models of animal artefacts, each selected because of their parasitic qualities. For the Mystic glorifica mp3 s, each model will become a pretext for a poetic prank call.
They are considered as zoomorphic symbols from five narrative worlds—entered via online chats, email threads and phone conversations. The objects were approached as triggers with narrative potential, becoming dingsymbols, totems in the fictional world mystic glorifica mp3 s a story.
A Boccaccian falcon becomes a curled rat from the Minneapolis Institute of Modern Art, a small, purely decorative sculpture once used to hang a pocket from a Kimono.
Now, this curled relic of practical use will be resurrected as a digital pest and will seek to irritate multiple pest control sites…. The theme of a parasite is an excuse to naively initiate difficult questions of political urgency through awkward online and phone conversations. The 3d models of museum objects will be visually altered in response to the advice of business support helplines, pest control companies, sex chatrooms, zoos and restaurants to whom the prank calls will be directed.
Working with objects of digital matter, minecraft default steve skin Idle Institute will attempt to ask questions about layers of representation, the translation of the were not nds anymore revised mp3 to the symbolic and of the symbolic to the virtual.
The Idle Institute established in is a storytelling lab: Combining theories of the public sphere with quantum physics, they investigate the potentialities of the story — seen as virtual matter and a precise political tool. Currently developing a theory of the narratology of the public sphere, their research explores narrative entanglement, machine s of writing and technologies of storytelling.
Questi oggetti vengono considerati come dei simboli zoo-morfici di cinque mondi narrativi diversi, attraversati per mezzo di chiamate online, catene di email e conversazioni telefoniche. Sono stati abbordati come stimoli con un potenziale di narrazione, diventando dingsymbols, totem nel mondo fittizio di una storia.
I modelli 3d di oggetti museali saranno alterati visivamente rispondendo direttamente ai consigli dati da assistenze telefoniche, aziende di mystic glorifica mp3 s, chatroom di sesso, zoo e ristoranti ai quali questi scherzi saranno diretti.
I progetti di Idle Institute si costruiscono da esperimenti narrativi: Attualmente, sviluppando una teoria della narratologia della sfera pubblica, la loro ricerca esplora intrecci romanzeschi, macchine da scrivere e tecnologie dei racconti. He will be sharing step by step processes on his page throughout the month, like a diary of his strokes of genius; Alessandro will be providing us with a goody-bag of grand design which you are more than welcome to replicate at home.
Do you have problems with your mystic glorifica mp3 s as an art world worker? We are here for you. We are the first phone line fortune telling service dedicated solely to young creatives. We will help guide you through love decisions, health difficulties and the stress mystic glorifica mp3 s having to juggle 3 paying jobs to be able to afford to do the job you actually went to uni for, the job that you know deep down is your true calling. If this sounds like you, call us!
For one month Barbara Elamitic will bring you behind the scenes of a fictitious fortune telling service destined to you. She will gradually introduce the army of women who are the psychic readers behind SINK fortune telling. She delves within their lives and gives you the opportunity to get to know them as she imagines a service she could, as a mystic glorifica mp3 s artist, need at any time. The women Barbara speaks of are loosely inspired by women from her own life. Readings under UK law are deemed to be for entertainment only.
She invites us to navigate between possible facts and fictions through signs that stand as landmarks, anti-monuments used as selfie backgrounds and an AI creative unpredictability that mystic glorifica mp3 s temporary landscape scenery. During her residency, Francesca will work on images taken from Western historically male dominated groups in sport and vocation.